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Showing posts with label Portable PA System. Show all posts
Showing posts with label Portable PA System. Show all posts
Wednesday, 3 October 2012
EON 210P - Portable PA Self-Powered 10” Two-Way system with detachable powered mixer
STAGEPAS 300 - Portable PA System
Live Sound Has Never Been Easier
This extraordinarily portable PA system has 8 channel (including 4
microphone) inputs and delivers a very respectable 300 watts of
high-quality power to the supplied pair of compact speakers.No matter where your music leads, Yamaha's new STAGEPAS™ 300 Portable PA system has the power and portability to go with you. It has all the power and high-quality sound you need to fill a small performance space, yet it is small and light enough to take wherever it is needed. Combining a built-in powered mixer and PA speakers, it's incredibly easy to use - you can be set up and playing in a matter of minutes! STAGEPAS™ 300 is the perfect road companion, providing powerful, reliable, convenient sound reinforcement for a wide variety of applications. Great sound has never been so portable - and so easy to use. High quality, convenience, and power to go!
Features
STAGEPAS300: On Stage Anywhere, Anytime
STAGEPAS300 is a portable PA system that can be set up to
provide high quality live sound anywhere, anytime. Designed primarily
for musicians on the move, STAGEPAS™ 300 makes it possible to
deliver high-quality live sound in just about any venue or environment
with maximum handling ease and minimum hassle.
Speakers, Powered Mixer, and Cables
This all-in-one system provides a pair of passive speakers, a
detachable powered mixer, and a pair of speaker cables - everything you
need except for your sources. The whole system weighs just 18 kilograms!
Detachable 8-channel Powered mixer with 150W + 150W Output
The powered mixer is normally stored in the rear of one of the
speakers. The STAGEPAS™ powered mixer can be detached (the
only tool you need is a coin) for convenient operation. The power
amplifier is a class-D* type that delivers a solid 150 watts + 150 watts
from a remarkably compact unit. The mixer has a total of eight input
channels: four mono microphone/line inputs and two stereo line inputs.
In addition to speaker outputs for the supplied speakers, the
STAGEPAS™ mixer has line outputs that can be used to connect
additional powered speakers for monitoring, or to send the mixer's
output to a recording device. * Class-D power amplifiers provide
high-efficiency amplification with low power consumption and minimal
heat generation, allowing the amplifier to be built into a smaller,
lighter, and cooler package.
Two-band EQ and Reverb Built In
Each mixer channel has an easy-to-use two-band equalizer that can
help to shape the sound of each channel to achieve the best possible
mix. Boost the highs to give a vocal channel more air and clarity, or
boost the lows on a guitar channel for more punch. The four mono input
channels have reverb on/off switches, and a reverb level control lets
you add just the right amount of reverb to bring your sound to life.
For Singers & Instrumentalists
The built-in high-quality reverb is indispensable for great vocal
sound, and it can add a lush dimension to the sound of electric-acoustic
guitars as well.
For Speech
The STAGEPAS™ mixer has a "speech" mode that optimizes the
system settings for maximum clarity with speech. Of course, background
music from a CD player or other source can be mixed in with the spoken
performance.
For Bands
Multiple microphone inputs make the STAGEPAS™ 300 system a
good choice for band rehearsals or performances. MSR100 powered monitors
(sold separately) can be added for monitoring.
Optional Mic Stand Adaptor
The optional BMS-10A Mic Stand Adaptor allows the STAGEPAS™ mixer unit to be mounted on a standard straight microphone stand. Mic stand mounting is an ideal way to position the mixer for easy control access while performing.- Source (http://in.yamaha.com)
STAGEPAS 250M - Portable PA system
STAGEPAS 150M and 250M can function either as an ultra-portable PA system, or as a powerful keyboard amplifier with sound quality and portability that far surpasses any other conventional keyboard amp.
Combining high-performance power and accurate sound reproduction with remarkable versatility in a portable package, Yamaha's STAGEPAS Series Portable PA Systems are fast becoming the standard for musicians and other PA users on the go.These combination mixer/amplifier/speaker systems are exceptionally lightweight, portable and full-featured. Since virtually everything you need is in one, easy-to-use package, you can be set up and playing within a matter of minutes. And when you're done, you can be packed and back on the road again with the same ease and speed. Yet despite the simplicity and compact size, these systems cut no corners in sound quality or versatility, and in fact give you some advanced features not normally found in systems of this class.The series now includes the new single-speaker STAGEPAS 150M and 250M, which can be expanded to a stereo system by simply adding a second speaker. They can also function either as an ultra-portable PA system, or as a powerful keyboard amplifier-with sound quality and portability that far surpasses any other conventional keyboard amp. No matter what system you choose, you have a high-power, highperformance sound system ready for a wide variety of venues and events, both indoors and out.
Ideal for Monitor Speaker Use
The STAGEPAS 250M and 150M are effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its fullrange reproduction, convenient mixing controls, and versatile speaker placement.* For Keyboard Players
Keyboard players needing a simple, yet exceptionally high-quality keyboard amplifier will find ideal solutions in the STAGEPAS 150M and 250M. These compact, highly portable and easy-to-use systems can serve as your main system for small gigs, or as a sub-mixer for direct connection to the main mixer at large events.
* For Guitarists
The STAGEPAS 150M and 250M are excellent systems for guitarists playing in small venues, since they deliver outstanding sound for the house as well as great monitor sound for the player.
-Source (http://in.yamaha.com)
Walkabout - Portable PA System - Studiomaster
The need
for compact, portable PA systems has never been greater. Light weight,
powerful, easy to set up but above all easy to use systems are
compulsory. The Walkabout has perfectly addressed these requirements in a
functional yet stylish package.
The
Walkabout features a total of 300 Watts of clear audio power, 5 channel
mixer (3x mic/line, 1x mic/stereo and 1x stereo), 16 program DSP and 5
band graphic equaliser. Sockets are also provided you record your
performance.
It contained in its own carry case and include speaker stands, microphone and all cables. Once packed the Walkabout has a retractable handle and recessed casters making light work when moving.
Equalisation
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HI (12kHz), LO (80Hz)
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Graphic Equaliser
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125Hz, 400Hz, 1kHz, 4kHz, 8kHz
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Power
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2 x 150W
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Speakers
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2 way
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Connections
Channels 1-3: Channel 4/5: Channel 6/7: |
Combination XLR mic & TRS jack line XLR mic and stereo line (2) TS jacks Stereo line RCA phono |
Record Output
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RCA phono
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Speaker Outputs
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TS jacks
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Speaker Input
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Single TS jack
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| Power Requirements Voltage Selector |
230V Range 50/60Hz
115V Range 50/60Hz |
Source : (http://www.studiomaster.com)
Wednesday, 11 July 2012
Basic P.A. system setup / Portable PA System
If you are new to P.A. equipment, here's a terminology list and a basic indication
of how to connect the necessary equipment : -
Basic Terminology
Amplifier - The part of the system that amplifies the sound. May be purchased independently (with a separate mixer) or can be purchased as an integrated unit (a powered mixer).
Channels - 'Input' channels usually relate to those items coming into the amplifier/mixer (microphones, or other equipment which needs to be amplified or mixed). 'Output' channels usually relate to those items leaving the amplifier/mixer (speakers/monitors etc.)
Delay - An electronic circuit or effects unit - purpose being to delay the audio signal for a specific period of time.
Equaliser - Equipment used to alter specific frequencies of the sound, thus having a precise overall effect on the sound heard from the speakers. This equipment is commonly integrated into an amplifier or mixer, and is now seldom used as a stand-alone unit.
Fader - Another name for an audio level control. Usually refers to a straight-line slider rather than a rotary control.
Jack - Commonly used term to refer to an 'input/output' socket.
Level - Another word for signal voltage, (volume, strength or power.)
Line-In (Input/Return) - This is where a signal enters the amplifier/mixer.
Line-Out (Output/Send) - This is where a signal leaves the amplifier/mixer.
Master Volume - Microphone volumes and backing track levels can be controlled independently via the input channels, however the master volume is used to increase or decrease the sound of the overall performance (microphone and instruments simultaneously.)
Mixer : This is the piece of equipment which enables you to control various settings such as the volume of individual microphones/instruments, pan, bass, midrange and treble. There may also be onboard effects such as reverb, chorus, delay, echo etc. Many mixers are referred to as having 6, 8, 12, channels etc. This relates to the number of different microphones or instruments that can be connected to the mixer. E.g. three connected microphones would use 3 channels (or lines) of the available 8 on an eight channel mixer. A powered mixer is an integrated unit that can combine amplifier, equaliser, mixing deck and effects.
Monitors - Additional speakers, commonly placed in front of the vocalist/instrumentalist, enabling them to clearly hear their own sound/performance.
Monitors - Additional speakers, commonly placed in front of the vocalist/instrumentalist, enabling them to clearly hear their own sound/performance.
Pan - This refers to controls on the mixer used to adjust the amount of volume sent between left and right speakers. Although very useful when sound from a left or right speaker may be hindered or obtrusive, many people usually leave the panning knobs central.
Phantom Power - A system providing power for condenser microphones from the mixer. Most quality microphones are designed to use +48 VDC phantom power.
Return - A mixer line input dedicated to the task of returning sound from effects devices such as reverb units, echo units etc.
Phono Plug/Jack - Commonly found on consumer audio equipment. One of the most inexpensive connection types - use alternatives if available on your equipment.
XLR Connector - Three-pin connector used in audio for transmitting a balanced signal (microphones etc.) - also referred to as a Cannon connector.
Basic P.A. setup
An easy way to remember the signal direction (whether to plug your equipment into inputs or outputs), is to remember that anything traveling from the direction of your microphone into the mixer should generally be plugged into the inputs of the mixer, whilst anything traveling out from the mixer (to the speakers/monitors etc.), should generally be plugged into the output. Always remember the amplifier/mixer as the central piece of equipment, and you shouldn't go far wrong.
1. Firstly, make sure all plugs are removed from sockets and power is off.
2. Plug the end of the microphone cord into the input socket of the mixer (input line 1 of the mixer could be used). There may be two alternative input jacks - a standard jack plug or XLR connection. Many corded microphones have the XLR type connection, however either of these connections will suffice for a basic setup.
3. Plug one end of the speaker cable into the output socket of the mixer/amplifier. The speaker outputs are frequently found at the back of a mixer.
4. Plug the other end of the speaker cable into the input socket on the rear of the speaker.
5. Repeat steps 3 and 4 with the speaker cable for the additional speaker.
6. Plug the amplifier/mixer into the mains.
7. Switch on.
There we have it! Your first P.A. setup.
P.A. setup including monitors
Monitors, although not suitable for every environment, should become an essential part of every professional musician's equipment. The reason for this is that on many occasions a vocalist or instrumentalist will be stood slightly behind the speakers. This makes it almost impossible to hear the clarity and sound that the audience is hearing. The performer does not necessarily want to hear the sound as loud as the audience, however the monitor relays an isolated sound to the performer, so he/her can easily distinguish the clarity, without too many distractions. For this reason, monitors face towards the stage and are are usually angled from the floor directly toward the performer.
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